The Almeida Theatre is currently hosting a stage adaptation of Babak Anvari's 2016 film, directed by Nadia Latif and scripted by Carmen Nasr.

Almeida 劇院目前正在上演由 Nadia Latif 執導、Carmen Nasr 編劇，改編自 Babak Anvari 2016 年電影的舞台劇。

The production is situated in Tehran during the terminal phase of the Iran-Iraq War (1980-1988). The narrative centers on Shideh, a former medical student whose professional aspirations were terminated following the 1979 Islamic Revolution. The protagonist's psychological instability is attributed to a confluence of factors: the death of her mother, the absence of her husband, Iraj, who is deployed to the frontline, and the persistent threat of aerial bombardment. This internal volatility is externalized through the presence of a djinn, a malevolent entity that serves as a metaphorical representation of Shideh's systemic oppression and personal frustration.

本劇背景設定於伊朗-伊拉克戰爭（1980-1988年）末期的德黑蘭。故事圍繞著 Shideh，一名原醫科學生，其職業抱負在 1979 年伊斯蘭革命後被終止。主角的心理不穩定歸因於多種因素：母親去世、丈夫 Iraj 被部署至前線而不在身邊，以及持續的空襲威脅。這種內在的不穩定透過一個「Djinn」（一種邪惡的靈體）具象化，作為 Shideh 遭受的系統性壓迫與個人挫折的隱喻。

Spatial constraints are utilized to enhance the atmosphere of claustrophobia, with the action confined to a detailed living room set, a bomb shelter, and a rooftop. The production incorporates specific cultural markers of the era, such as the illicit use of a VCR and the strict enforcement of modesty codes by state functionaries. While the technical execution—including Donato Wharton's electronic sound design and James Farncombe's lighting—is noted for its precision, critical reception regarding the djinn's physical manifestation is divided. One analysis suggests that the transition from atmospheric tension to explicit visual horror diminishes the subtlety of the original cinematic source, whereas another posits that the interplay between action and metaphor remains effective.

製作利用空間限制來增強幽閉恐懼的氛圍，行動被限制在一個細膩的客廳佈景、一個防空洞以及一個天台。劇中融入了該時代特定的文化標記，例如非法使用 VCR 錄影機，以及政府官員對端莊服飾規範的嚴格執行。雖然技術執行——包括 Donato Wharton 的電子聲音設計和 James Farncombe 的燈光——以精準著稱，但評論界對 Djinn 的肢體呈現看法分歧。一種分析認為，從氛圍緊張轉向顯性的視覺恐怖，削弱了原電影作品的細膩度；而另一種觀點則認為，行動與隱喻之間的交織依然有效。

The production remains on display at the Almeida Theatre until July 4.

本劇將在 Almeida 劇院展出至 7 月 4 日。