The release of the film Peddi has been accompanied by a conflict between producers and exhibitors concerning the transition from rental-based to percentage-sharing revenue models.

電影《Peddi》上映後，製片人與戲院經營者在從「租金制」轉型為「百分比分紅」收入模式上產生了衝突。

The current industrial friction originates from a demand by the Telangana Exhibitors Association for the mandatory implementation of a percentage-sharing framework for all future cinematic releases, alongside a moratorium on ticket price escalations. This systemic shift was reportedly deliberated during the prior release of Hari Hara Veera Mallu, and a subsequent rapprochement was facilitated by Chiranjeevi, who indicated that the percentage-sharing system would be adopted to ensure the unobstructed release of Peddi.

目前的業界摩擦源於特拉安剛拿戲院協會（Telangana Exhibitors Association）要求所有未來上映的電影必須強制執行百分比分紅框架，同時禁止提高票價。據報導，這次系統性轉型在先前上映的《Hari Hara Veera Mallu》期間已進行討論，隨後由 Chiranjeevi 促成和解，他表示將採用百分比分紅制度，以確保《Peddi》能順利上映。

Institutional documentation indicates that the Telugu Film Chamber of Commerce (TFCC) convened a meeting on May 15, resulting in the formation of a 21-member sub-committee. This body established specific financial protocols for Peddi, including a 7.5% payment on ticket price enhancements in Andhra Pradesh and tiered payments for premiere shows based on center classification. However, Venkata Satish Kilaru of Vriddhi Cinemas has formally contested these arrangements. In correspondence dated June 13, Kilaru asserted that the decisions were reached unilaterally, noting his absence from the May 15 proceedings and the prior sale of distribution rights, which rendered the proposed sharing model commercially untenable.

機構文件顯示，泰盧固電影商會（TFCC）於 5 月 15 日召開會議，隨後成立了一個 21 人的小組。該小組為《Peddi》制定了特定的財務協議，包括在安得拉邦對票價調漲部分支付 7.5% 費用，以及根據電影院等級對首映場次採取分級支付。然而，Vriddhi Cinemas 的 Venkata Satish Kilaru 正式對這些安排提出異議。在 6 月 13 日的信函中，Kilaru 主張這些決定是單方面做出的，並指出他未出席 5 月 15 日的會議，且此前已出售發行權，使得建議的分紅模式在商業上不可行。

Parallel to these administrative disputes, the film has achieved significant commercial penetration. While Sacnilk reports a worldwide gross of approximately ₹317.12 crore and a domestic net of ₹225.52 crore after 14 days, the production team claims a higher worldwide gross of ₹400 crore. Despite critical discourse regarding the portrayal of Janhvi Kapoor—which prompted director Buchi Babu Sana to reintroduce excised scenes—the film has attained the status of the highest-grossing South Indian production of 2026.

在這些行政爭議之餘，該片在商業上取得了顯著突破。雖然 Sacnilk 報告指出 14 天後全球票房約 317.12 億盧比，國內淨收益 225.52 億盧比，但製作團隊則聲稱全球票房更高，達到 400 億盧比。儘管對 Janhvi Kapoor 的塑造存在爭議，導致導演 Buchi Babu Sana 重新加入了被刪除的片段，但該片依然成為 2026 年票房最高的南印度電影。

Peddi continues to demonstrate strong box office performance despite ongoing legal and financial disagreements between the production entity and trade associations.

儘管製作公司與貿易協會之間依然存在法律與財務分歧，但《Peddi》的票房表現依然強勁。