Jonathan Anderson is the new designer for Dior. He showed his new clothes at the Rodin Museum.

Jonathan Anderson 是 Dior 的新設計師。他在羅丹美術館展示了他的新裝。

Anderson looked at the art of Lynda Benglis. He made clothes that look like sculptures. He used silver colors and green fabric. He also made four special bags with the artist.

Anderson 參考了 Lynda Benglis 的藝術作品。他設計出看起來像雕塑的服裝，使用了銀色和綠色面料。他還與該藝術家共同設計了四款特別的手袋。

Many famous people came to the show. Sabrina Carpenter and Josh O'Connor were there. People wanted to see the dress for Taylor Swift. But Anderson did not show that dress. He wanted people to look at the art instead.

許多名人出席了這場秀。Sabrina Carpenter 和 Josh O'Connor 都在場。人們想看到 Taylor Swift 的禮服，但 Anderson 並沒有展示那件禮服，因為他希望人們專注於藝術本身。

At the end of the show, he showed one white wedding dress. It had pearls and flowers on it.

在演出結束時，他展示了一件白色婚紗，上面飾有珍珠和花朵。

The show ended with a white dress. We still do not know what Taylor Swift's dress looks like.

演出以一件白色禮服結束。我們仍不知道 Taylor Swift 的禮服長什麼樣子。

Jonathan Anderson has presented a new haute couture collection for Dior at the Rodin Museum, following his recent appointment as the designer in charge of the house's fashion lines.

Jonathan Anderson 在最近被任命為該品牌時裝線設計師後，於羅丹美術館為 Dior 發表了一個全新的高級訂製系列。

The collection was inspired by the work of American sculptor Lynda Benglis. By following Benglis' method of turning fluid materials into 3D shapes, Anderson used techniques such as pleating, knotting, and pressing to turn fabric into art. This artistic connection was seen in silver-foiled petal skirts and versions of the famous Bar jacket in fern-green tweed and gray houndstooth. Furthermore, the collection included four handbags created in collaboration with Benglis. This focus on female artists continues the approach of Maria Grazia Chiuri, who previously celebrated the work of ceramicist Magdalene Odundo.

該系列靈感來自美國雕塑家 Lynda Benglis 的作品。Anderson 遵循 Benglis 將流動材質轉化為 3D 形狀的方法，運用褶皺、打結與壓燙等技術，將布料轉化為藝術品。這種藝術聯繫體現在銀箔花瓣裙，以及採用蕨綠色粗花呢與灰色千格紋製作的著名 Bar jacket 版本中。此外，該系列還包括四款與 Benglis 合作設計的手袋。對女性藝術家的關注延續了 Maria Grazia Chiuri 的做法，她此前曾讚頌陶瓷藝術家 Magdalene Odundo 的作品。

At the same time, the event was marked by the absence of the wedding dress Anderson designed for Taylor Swift's marriage to Travis Kelce. Although this project attracted a lot of public interest, Anderson kept the details of the garment secret. Consequently, this decision shifted the public's attention back to the Benglis-inspired collection, showing a clear effort to prioritize creative art over celebrity fame. The event was attended by famous figures like Sabrina Carpenter and Josh O'Connor, highlighting how the brand blends mass-market influence with exclusive art. The show ended with a traditional bridal gown featuring pearls and botanical embroidery, which provided a formal closing while remaining separate from the private commission for Swift.

與此同時，此次活動的焦點在於 Anderson 為 Taylor Swift 與 Travis Kelce 婚禮設計的婚紗並未現身。儘管該項目引起了公眾極大興趣，但 Anderson 對服裝細節保密。因此，這一決定將公眾注意力重新引向受 Benglis 啟發的系列，顯示出將創意藝術置於名人名氣之上的明確企圖。活動吸引了如 Sabrina Carpenter 和 Josh O'Connor 等名流出席，凸顯了品牌如何將大眾市場影響力與獨家藝術相融合。表演以一件飾有珍珠與植物刺繡的傳統婚紗結束，在與 Swift 的私人委託保持區分的同時，提供了一個正式的收尾。

The event ended with a traditional bridal gown, although the details of the Taylor Swift dress remain secret.

活動以一件傳統婚紗結束，儘管 Taylor Swift 那件禮服的細節仍維持機密。

Jonathan Anderson has presented a new haute couture collection for Dior at the Rodin Museum, coinciding with his recent appointment as the designer responsible for the house's fashion lines.

Jonathan Anderson 在羅丹美術館展示了 Dior 的全新高級訂製系列，適逢他近期被任命為負責該品牌時裝線的設計師。

The collection's conceptual framework was derived from the oeuvre of American sculptor Lynda Benglis. By synthesizing Benglis' methodology of manipulating fluid materials into three-dimensional forms, Anderson utilized pleating, knotting, and pressing to transform fabric into sculptural entities. This artistic rapprochement manifested in silver-foiled petal skirts, hand-pressed pleats, and iterations of the signature Bar jacket featuring fern-green tweed and gray houndstooth. Notably, the collection included four handbags developed in collaboration with Benglis. This adherence to female-centric artistic inspiration maintains a continuity with the tenure of Maria Grazia Chiuri, specifically echoing the previous celebration of ceramicist Magdalene Odundo.

該系列的概念框架源自美國雕塑家 Lynda Benglis 的作品。Anderson 綜合了 Benglis 將流體材料操縱為三維形態的方法，利用打褶、打結與壓燙，將面料轉化為雕塑實體。這種藝術上的趨同體現於銀箔花瓣裙、手工壓褶，以及採用蕨綠色粗花呢與灰色千鳥格的招牌 Bar jacket 變體中。值得注意的是，該系列還包括四款與 Benglis 合作開發的手袋。這種對女性中心藝術靈感的堅持，維持了與 Maria Grazia Chiuri 任期的一致性，特別是呼應了先前對陶瓷藝術家 Magdalene Odundo 的讚頌。

Parallel to the artistic exhibition, the event was characterized by the strategic omission of the bridal attire designed by Anderson for Taylor Swift's marriage to Travis Kelce. Despite the significant cultural capital associated with this commission, Anderson maintained strict confidentiality regarding the garment's specifications. This tactical redirection of public attention toward the Benglis-inspired collection suggests a calculated effort to prioritize avant-garde creative expression over celebrity-driven visibility. The presence of high-profile attendees, including Sabrina Carpenter and Josh O'Connor, further underscores the house's intersection of mass-culture influence and exclusive artistry. The presentation concluded with a traditional bridal gown—a pearl column with pleated chiffon and botanical embroidery—which served as a formal closure to the proceedings while remaining distinct from the aforementioned private commission.

與藝術展並行的是，此次活動特意省略了 Anderson 為 Taylor Swift 與 Travis Kelce 結婚所設計的婚紗。儘管這項委託具有巨大的文化資本，但 Anderson 對於服裝的細節保持了嚴格的保密。這種將大眾注意力戰術性地轉向 Benglis 靈感系列的做法，顯示出其刻意優先考慮前衛的創意表達而非名人驅動的曝光度。包括 Sabrina Carpenter 與 Josh O'Connor 在內的高調出席賓客，進一步凸顯了該品牌在流行文化影響力與獨特藝術之間的交匯。演出以一件傳統婚紗——一件配有打褶雪紡與植物刺繡的珍珠直筒裙——作結，為活動劃下正式句點，同時與前述的私人委託區分開來。

The event concluded with the presentation of a traditional bridal gown, while the specifics of the Taylor Swift commission remain undisclosed.

活動以展示一件傳統婚紗作結，而 Taylor Swift 委託的細節則維持不公開。