Film Director Asghar Farhadi Speaks About Violence
Film Director Asghar Farhadi Speaks About Violence
Introduction
Asghar Farhadi is a famous movie director from Iran. He spoke at the Cannes Film Festival. He said that killing innocent people is wrong.
Main Body
Farhadi talked about his new movie, 'Parallel Tales.' He said that many people died in wars between the US, Israel, and Iran. He also said the Iranian government killed people in their own country. He believes all these deaths are crimes. Iran has many problems now. There was a war with the US and Israel. Now there is a short peace. At the same time, the Iranian government kills people who disagree with them. Many people died in protests in January. Farhadi does not live in Iran now. He left in 2023. He will not make movies in Iran again. He wants the government to stop controlling what directors say in their films.
Conclusion
Farhadi uses his fame to fight violence. He stays away from Iran to speak the truth.
Learning
🌍 Talking about the Past
In this story, we see words that tell us something happened before now. To reach A2, you need to recognize these "past" words.
The Pattern: Most of these words end in -ed. This is a signal that the action is finished.
- spoke (Special word for 'speak')
- talked → happened before
- died → happened before
- killed → happened before
- left (Special word for 'leave')
🛠️ Simple Word Changes
Look at how we change a word to show a person does not do something:
Farhadi live in Iran Farhadi DOES NOT live in Iran
When we use does not, the action word (live) stays simple. We don't add an 's'.
📌 Useful A2 Vocabulary from the text
| Word | Simple Meaning |
|---|---|
| Innocent | Not guilty / Not doing something bad |
| Crimes | Things that are against the law |
| Protests | When people shout together to change things |
| Controlling | Telling someone exactly what to do |
Vocabulary Learning
Asghar Farhadi Condemns Civilian Deaths and State Violence at Cannes Film Festival
Introduction
Iranian director Asghar Farhadi used a press conference at the Cannes Film Festival to speak out against the loss of innocent lives caused by both international wars and the Iranian government's repression of its own people.
Main Body
During the premiere of his film 'Parallel Tales,' Farhadi emphasized that he condemns two different types of violence. First, he mentioned the civilians and children killed in military conflicts involving the U.S. and Israel. Second, he highlighted the protesters killed during unrest inside Iran. Farhadi asserted that criticizing foreign military strikes does not mean one cannot also condemn executions by the state. He argued that any unauthorized killing of a human being is a criminal act, regardless of the political situation. This statement comes during a time of great instability. Since February 28, Iran has been in conflict with the U.S. and Israel, although a fragile ceasefire began on April 8. At the same time, the Iranian government has increased executions, especially for those accused of spying. While the government claims that over 3,000 people died during January's protests due to foreign terrorism, human rights monitors estimate that between 7,000 and 35,000 people were killed by security forces. Furthermore, the link between cinema and political protest remains strong. Farhadi has lived outside Iran since 2023 and previously boycotted the 2017 Academy Awards. He has promised not to film in Iran until censorship laws are removed. This decision follows the path of other directors, such as Jafar Panahi and Mohammad Rasoulof, who have faced prison or exile after winning awards at Cannes.
Conclusion
Farhadi continues to use his global fame to oppose state violence and war crimes while remaining in professional exile from the Iranian film industry.
Learning
🚀 The "Opinion Power-Up": Moving from Say to Assert
At the A2 level, students usually use the word "say" for everything. To reach B2, you need to describe how someone is speaking and what their intention is. This is called Reporting Verbs.
Look at these shifts from the text:
- Basic (A2): Farhadi said that killing is a crime.
- B2 Upgrade: Farhadi asserted that any unauthorized killing... is a criminal act.
Why this matters: "Asserted" doesn't just mean "said." It means saying something with strong confidence and authority. When you use these verbs, you paint a picture of the speaker's emotion without needing extra adjectives.
🛠️ The "Nuance Scale"
Depending on the text, we can replace "say" with these targeted B2 verbs:
- Condemn To say that something is completely wrong or evil. (Example: Farhadi condemns state violence.)
- Emphasize To give special importance to a point. (Example: He emphasized that he opposes two types of violence.)
- Argue To give reasons to support an idea, often in a debate. (Example: He argued that any killing is a criminal act.)
💡 Pro-Tip for Fluency
Stop using "He says that..." in your essays or presentations. Instead, ask yourself: Is the person complaining, claiming, warning, or asserting?
Quick Comparison:
- "The government claims..." (B2 hint: The writer might not believe them!)
- "The monitors estimate..." (B2 hint: This is based on data/calculation, not just a guess.)
Vocabulary Learning
Asghar Farhadi Issues Condemnation of Civilian Casualties and State Violence During Cannes Film Festival Appearance
Introduction
Iranian filmmaker Asghar Farhadi utilized a press conference at the Cannes Film Festival to denounce the loss of innocent life resulting from both international military conflict and domestic state repression in Iran.
Main Body
During the premiere of his production 'Parallel Tales,' Farhadi articulated a position of dual condemnation regarding the current humanitarian situation in Iran. He identified two distinct categories of casualties: civilians, including children, deceased during military engagements involving the United States and Israel, and demonstrators killed during domestic unrest. Farhadi posited that the expression of indignation toward external military strikes does not preclude a simultaneous condemnation of internal state executions, asserting that any unauthorized termination of human life constitutes a criminal act regardless of the geopolitical context. This discourse occurs against a backdrop of significant instability. Since February 28, Iran has been engaged in a conflict with the U.S. and Israel, with a tenuous ceasefire established on April 8. Concurrently, the Iranian state has increased the frequency of executions, particularly those linked to security and espionage allegations. While the Iranian government attributed over 3,000 deaths during January's anti-government protests to foreign-orchestrated terrorism, external human rights monitors estimate the fatalities to range between 7,000 and 35,000 due to security force interventions. Furthermore, the intersection of cinema and political dissent remains salient. Farhadi, who has resided outside Iran since 2023 and previously boycotted the 2017 Academy Awards, has pledged to abstain from filming within Iran until censorship mandates are abolished. This trajectory aligns with other Iranian cinematic figures, such as Jafar Panahi and Mohammad Rasoulof, both of whom have faced imprisonment or exile following their recognition at the Cannes Film Festival.
Conclusion
Farhadi continues to leverage his international platform to oppose state-sponsored violence and war crimes while maintaining a professional exile from the Iranian film industry.
Learning
The Architecture of 'Detached Authority': Nominalization and the C2 Shift
To move from B2 to C2, a student must transition from narrating actions to analyzing phenomena. This article exemplifies a linguistic strategy called Heavy Nominalization, where verbs (actions) are transformed into nouns (concepts) to create a tone of objective, academic distance.
⚡ The Linguistic Pivot
Observe how the text avoids simple subject-verb-object sentences. Instead of saying "Farhadi condemned the state for killing civilians," the author writes:
*"...denounce the loss of innocent life resulting from both international military conflict and domestic state repression..."
The Mechanism:
- Loss (instead of lost)
- Conflict (instead of conflicting)
- Repression (instead of repressing)
By converting these actions into nouns, the writer shifts the focus from the actor to the abstract concept. This is the hallmark of high-level diplomatic and scholarly English: it removes emotional volatility and replaces it with Analytical Weight.
🔍 Sophisticated Collocations for the C2 Arsenal
Beyond the structure, notice the precise pairing of adjectives and nouns that signal a mastery of nuance:
- Tenuous ceasefire: Not just 'weak,' but fragile and likely to break.
- Salient intersection: Not just 'important,' but prominently noticeable and relevant.
- Professional exile: A paradoxical pairing that elevates the status of the subject's isolation from a tragedy to a principled stance.
🛠️ Application: The 'Abstractive' Rewrite
To synthesize this, consider the transformation of a B2 sentence into a C2 architectural equivalent:
B2 (Functional): The government says terrorists killed people, but human rights groups say the police did it.
C2 (Abstracted): While the government attributed fatalities to foreign-orchestrated terrorism, external monitors estimate the deaths to be a result of security force interventions.
Key C2 markers used here:
- Attributed... to: Replacing 'says'.
- Foreign-orchestrated: Compound adjective for precision.
- Interventions: A euphemism for violence that maintains a clinical, professional distance.