Martin Scorsese, Paul Schrader, Robert De Niro, and Jodie Foster met at the Tribeca Film Festival. They talked about the movie Taxi Driver from 1976.

馬丁·史柯塞、保羅·施拉德、羅伯特·狄尼路和喬迪·佛絲在翠比卡電影節會面，他們討論了 1976 年的電影《計程車司機》。

The group talked about loneliness. Robert De Niro said many people feel alone today. He said the internet and the pandemic make this worse.

這群人討論了關於孤獨的話題。羅伯特·狄尼路表示現在許多人都感到孤單。他認為網路和疫情讓這種情況變得更糟。

Martin Scorsese talked about New York City. In 1975, the city was dirty and dangerous. Now, the city is very different.

馬丁·史柯塞談到了紐約市。在 1975 年，這座城市既髒亂又危險。而現在，這座城市已經截然不同。

They talked about Jodie Foster. She was twelve years old in the movie. She was very professional. She learned how to act from Robert De Niro.

他們討論了喬迪·佛絲。她在拍攝這部電影時年僅 12 歲。她的表現非常專業，並向羅伯特·狄尼路學習如何演戲。

Finally, they talked about making movies. Now, technology is better. It is easier for new people to make films.

最後，他們討論了電影製作。現在的技術更先進了，新人拍電影變得更容易。

The group agreed that the movie is still important. People of all ages understand the feeling of being alone.

這群人一致認為這部電影依然很重要。所有年齡層的人都能夠理解那種孤單的感覺。

Director Martin Scorsese, screenwriter Paul Schrader, and actors Robert De Niro and Jodie Foster met at the Tribeca Film Festival to discuss the lasting impact of the 1976 film 'Taxi Driver'.

導演馬丁·史柯西、編劇保羅·施萊德，以及演員勞勃·狄尼路與喬迪·福斯特在特萊比卡電影節會面，討論 1976 年電影《計程車司機》的深遠影響。

The discussion focused on the film's main themes of social isolation and the mental decline of the main character. Mr. De Niro asserted that the story's exploration of loneliness is still relevant today, especially because of the effects of digital technology and the global pandemic. He emphasized that the film's connection to real-world violence remains a powerful part of its history.

討論重點在於電影關於社會隔離和主角精神崩潰的主題。狄尼路先生斷言，故事對孤獨感的探討在今天依然適用，尤其是數位科技和全球疫情的影響。他強調，電影與現實世界暴力的聯繫仍然是其歷史中強而有力的部分。

Regarding the production, Mr. Scorsese noted the huge difference between modern New York City and the urban decay of 1975, which was marked by financial crisis and high crime rates. Furthermore, the panel discussed the casting of Jodie Foster, who was only twelve at the time. Mr. Scorsese explained that he chose her because of her professional attitude toward the adult themes in the script. Ms. Foster added that her previous work in commercials and Disney films helped her stay professional, while working with Mr. De Niro introduced her to the technique of improvisation.

關於製作，史柯西先生指出現代紐約市與 1975 年的城市衰敗之間存在巨大差異，當時的特徵是金融危機和高犯罪率。此外，小組討論了喬迪·福斯特的選角，她當時僅十二歲。史柯西先生解釋，他選擇她是因為她對劇本中成人主題的專業態度。福斯特女士補充道，她之前在廣告和迪士尼電影中的工作經驗幫助她保持專業，而與狄尼路先生合作則讓她接觸到即興表演的技巧。

Finally, the group discussed how movie production has changed. Mr. Scorsese observed that although the financial side of the industry has shifted since the 1970s, new technology has made it easier for new filmmakers to start their careers. Meanwhile, Mr. Schrader and Mr. De Niro emphasized that artistic originality and persistence are still necessary to overcome challenges in the industry.

最後，小組討論了電影製作的變遷。史柯西先生觀察到，雖然電影業的財務面自 1970 年代以來有所轉移，但新技術使得新電影工作者更容易開啟職業生涯。同時，施萊德先生和狄尼路先生強調，藝術原創性和堅持仍然是克服業界挑戰的必要條件。

The event ended with the group agreeing that the film remains relevant to different generations because it provides an honest look at human loneliness.

活動結束時，小組一致同意該片對不同世代依然具有意義，因為它誠實地展現了人類的孤獨。

Director Martin Scorsese, screenwriter Paul Schrader, and actors Robert De Niro and Jodie Foster convened at the Tribeca Film Festival to analyze the enduring influence of the 1976 film 'Taxi Driver'.

導演馬丁·史柯西、編劇保羅·施拉德，以及演員羅伯特·狄尼洛與茱蒂·佛絲在翠貝卡電影節齊聚，分析1976年電影《計程車司機》的深遠影響。

The discourse centered upon the film's thematic preoccupation with social alienation and the psychological deterioration of the protagonist. Mr. De Niro posited that the narrative's exploration of isolation remains pertinent in the contemporary era, citing the exacerbating effects of digital connectivity and the aftermath of the global pandemic. This perceived continuity is further evidenced by the film's historical intersection with real-world violence, notably its presence during the legal proceedings of John Hinkley Jr. in 1981.

討論重點在於電影對社會疏離感以及主角心理衰敗的主題。狄尼洛先生認為，故事對孤獨感的探討在現代依然具有相關性，並引用了數位連結的加劇影響以及全球疫情後的後果。

Regarding the production's historical context, Mr. Scorsese noted the stark contrast between the current state of New York City and the urban decay prevalent during the 1975 filming period, characterized by systemic insolvency and elevated crime rates. Furthermore, the panel addressed the casting of Ms. Foster, who was twelve years of age at the time. Mr. Scorsese attributed her selection to her professional demeanor and authoritative approach to the script's mature subject matter. Ms. Foster indicated that her prior experience in commercial and Disney productions facilitated this professionalism, while noting that her collaboration with Mr. De Niro introduced her to the methodology of improvisation.

關於製作的歷史背景，史柯西先生指出目前紐約市的狀態與1975年拍攝期間普遍的城市衰敗形成鮮明對比，當時的特點是系統性破產和高犯罪率。此外，小組討論提及了當時年僅十二歲的佛絲小姐的選角。史柯西先生將其選中歸功於她的專業 demeanor 以及對劇本中成熟主題的權威處理方式。佛絲小姐表示，先前在商業廣告和迪士尼作品中的經驗促進了這種專業表現，同時指出與狄尼洛先生的合作讓她接觸到即興表演的方法。

Finally, the participants discussed the evolution of cinematic production. Mr. Scorsese observed that while the financial structures of the industry have shifted since the mid-1970s, current technological advancements have eliminated traditional barriers to entry for filmmakers. Mr. Schrader and Mr. De Niro emphasized the necessity of artistic originality and persistence in the face of institutional challenges.

最後，參與者討論了電影製作的演變。史柯西先生觀察到，雖然產業的財務結構自1970年代中期以來有所轉移，但目前的技術進步已消除了電影製作者進入門檻的傳統障礙。施拉德先生與狄尼洛先生則強調，面對制度性挑戰時，藝術原創性與堅持之必要性。

The event concluded with a consensus on the film's capacity to maintain relevance across generational cohorts due to its authentic depiction of human disaffection.

活動最後達成共識，認為該片因其對人類失落感的真實描繪，使其能夠跨越世代而保持相關性。