FIFA wants to save things from the 2026 World Cup. They want to keep a history of the games.

FIFA 想要保存 2026 年世界盃的物品，希望能記錄這些賽事的歷史。

FIFA will take items after the games. They will put these items in museums in Zurich, Hong Kong, Miami, and Vancouver. Some old items are not in museums. Some people or private clubs have them.

FIFA 將在賽事結束後收取物品。他們會將這些物品放置在蘇黎世、香港、邁阿密和溫哥華的博物館中。有些舊物品不在博物館內，而是由私人人士或私人俱樂部持有。

In the past, some items were lost. One person burned goalposts in 1950. Other people sold old boots and balls for a lot of money. FIFA found one old trophy part in 2015.

過去曾有一些物品遺失。1950 年有人燒毀了球門柱。其他人則以高價出售舊球鞋和足球。FIFA 在 2015 年找回了一個舊獎盃的零件。

Some cities have their own museums. For example, Santos in Brazil has a museum for Pelé. Many people visit this museum to see his things.

有些城市擁有自己的博物館。例如，巴西的桑托斯有一個比利博物館。許多人參觀這座博物館以欣賞他的收藏品。

FIFA is collecting more items now. But many old things are still in private homes or small museums.

FIFA 目前正在收集更多物品，但許多舊物仍保存在私人住宅或小型博物館中。

FIFA has introduced a formal system to collect items from the 2026 World Cup to ensure that the tournament's history is properly documented.

FIFA 已推出一套正式系統來收集 2026 年世界盃的物品，以確保賽事歷史得到妥善記錄。

FIFA's current strategy involves collecting items after matches to be displayed in a global network of museums in Zurich, Hong Kong, Miami, and Vancouver. This effort aims to fill gaps in the official records, as many famous items are not in FIFA's possession. For example, Ronaldinho's 2002 jersey and Mario Götze's 2010 winning boot are held by others. Furthermore, some items are in unexpected places; Pelé's 1970 winners' medal is kept by a private rugby club in London, while the 1930 final ball is part of the Allianz Collection.

FIFA 目前的策略是在比賽後收集物品，並在蘇黎世、香港、邁阿密和溫哥華的全球博物館網絡中展出。此舉旨在填補官方記錄的空白，因為許多著名物品並非由 FIFA 持有。例如，羅納ldinho 2002 年的球衣和哥澤 2010 年的那隻致勝球鞋均由他人持有。此外，有些物品出現在意想不到的地方；比利 1970 年的冠軍獎牌由倫敦一家私人橄欖球俱樂部保管，而 1930 年決賽球則是 Allianz 收藏品的一部分。

History shows that tournament artifacts have followed very different paths. The base plate of the Jules Rimet trophy was found in Zurich in 2015 after being missing for decades, including during World War II. On the other hand, some items were completely destroyed, such as the 1950 goalposts which were burned by goalkeeper Moacir Barbosa. Other pieces have entered the private market, including the 1986 'Hand of God' ball and Götze's 2014 boot, which sold for a record price at auction.

歷史顯示，賽事文物的去向截然不同。朱爾·里梅金杯的底座在失蹤數十年（包括第二次世界大戰期間）後，於 2015 年在蘇黎世被發現。另一方面，有些物品則被完全摧毀，例如 1950 年被守門員莫亞西爾·巴博薩燒毀的球門柱。其他物件則進入了私人市場，包括 1986 年「上帝之手」的那顆球，以及哥澤 2014 年那隻在拍賣會上以刷新紀錄價格售出的球鞋。

Apart from official museums, many legacies are preserved locally. In Santos, Brazil, the Pelé Museum focuses on the career of Edson Arantes do Nascimento, which helps attract international tourists and keeps his memory alive. This mix of private ownership and official curation—seen in everything from statues in Doha to banners in Rio de Janeiro—shows how complex it is to manage sports history and national identity.

除了官方博物館外，許多遺產在當地保存。在巴西聖多斯，比利博物館專注於愛德遜·阿蘭特斯·多納西門托的職業生涯，有助於吸引國際遊客並延續其記憶。這種私人持有與官方策展的混合模式——從多哈的雕像到里約熱內盧的橫幅均可見——顯示了管理體育歷史與國家認同感的複雜之處。

FIFA is working to grow its official archives, even though many important historical items remain in private collections and local museums.

儘管許多重要的歷史物品仍留在私人收藏與當地博物館中，但 FIFA 仍致力於擴展其官方檔案。

FIFA has implemented a systematic protocol to collect artifacts from the 2026 World Cup to ensure the historical documentation of the tournament.

FIFA 已實施一套系統化方案來收集 2026 年世界盃的文物，以確保賽事的歷史記錄。

The current archival strategy by FIFA involves the post-match acquisition of items to be housed across a global network of museums located in Zurich, Hong Kong, Miami, and Vancouver. This institutional effort seeks to address gaps in the official record, as several high-profile artifacts—such as Ronaldinho's 2002 quarterfinal jersey and Mario Götze's 2010 winning boot—remain outside official custody. The provenance of such items is often irregular; for instance, Pelé's 1970 winners' medal is currently held by a private rugby club in North London, and the 1930 final ball is similarly situated within the Allianz Collection.

FIFA 目前的檔案策略涉及賽後收購物品，並將其存放於位於蘇黎世、香港、邁阿密及溫哥華的全球博物館網絡中。這項制度化努力旨在填補官方記錄的空白，因為數件備受關注的文物——例如羅納ldinho 2002 年八強賽球衣以及馬里奧·格策 2010 年奪冠球鞋——目前仍不在官方監管之下。此類物品的來源通常不規整；例如，比利 1970 年的冠軍獎牌目前由北倫敦的一家私人橄欖球俱樂部持有，而 1930 年的決賽球則同樣位於 Allianz Collection 中。

Historical antecedents demonstrate a varied trajectory for tournament artifacts. The Jules Rimet trophy's base plate was recovered from the Zurich headquarters in 2015 after decades of displacement, including a period of concealment during the Second World War. Conversely, some artifacts have been permanently destroyed, as evidenced by the 1950 goalposts which were incinerated by goalkeeper Moacir Barbosa. Other items have transitioned into the private market, exemplified by the 1986 'Hand of God' match ball and the 2014 winning boot of Mario Götze, the latter of which achieved a record auction price for a single boot.

歷史前例顯示，賽事文物的軌跡各異。朱爾·里梅金的底盤在失蹤數十年（包括第二次世界大戰期間的隱藏期）後，於 2015 年在蘇黎世總部被找回。相反，部分文物已被永久毀損，例如 1950 年被守門員 Moacir Barbosa 焚毀的球門柱。其他物品則轉入私人市場，例如 1986 年「上帝之手」比賽球以及馬里奧·格策 2014 年的奪冠球鞋，後者創下了單隻球鞋拍賣價格的紀錄。

Beyond official museums, the preservation of legacy is often localized. In Santos, Brazil, the Pelé Museum serves as a focal point for the preservation of Edson Arantes do Nascimento's career, facilitating international tourism and maintaining the athlete's cultural relevance post-mortem. This decentralized distribution of memorabilia—ranging from the 2006 Zidane-Materazzi statue in Doha to the 1994 Senna tribute banner in Rio de Janeiro—underscores the complex intersection of private ownership, national identity, and institutional curation.

除官方博物館外，遺產的保存往往呈現在地化。在巴西的聖多斯，比利博物館成為保存 Edson Arantes do Nascimento 職業生涯的焦點，促進了國際觀光並維持該運動員在逝世後的文化影響力。這種紀念品的去中心化分佈——從多哈 2006 年的齊達內-馬特拉齊雕像到里約熱內盧 1994 年的塞納紀念橫幅——突顯了私人所有權、國家認同與制度化策展之間複雜的交集。

FIFA continues to expand its archival holdings while significant historical artifacts remain dispersed across private collections and regional museums.

FIFA 繼續擴展其檔案收藏，而大量重要歷史文物仍分散於私人收藏與地區博物館中。