A mother and her baby left a play at the Royal Shakespeare Company. The baby made too much noise.

一名母親與她的嬰兒離開了皇家莎士比亞劇團的一場演出。因為嬰兒太吵了。

The baby made sounds during the first part of the play. Many people in the audience were unhappy. Some people asked for their money back.

嬰兒在劇本的第一部分發出聲音。許多觀眾感到不快。有些人要求退款。

The theatre allows babies for free. But, the theatre has a rule. If a child is noisy, the parents must leave the room.

劇院允許嬰兒免費入場。但是，劇院有一項規定：如果孩子太吵，父母必須離開房間。

The mother and baby went to the cafe. They watched the rest of the play on a TV screen. The theatre wants all people to be quiet during the show.

母親和嬰兒去了咖啡廳。他們透過電視螢幕觀看演出的其餘部分。劇院希望所有人在演出期間保持安靜。

The mother and baby watched the play in the cafe because the audience complained.

因為觀眾抱怨，母親和嬰兒在咖啡廳觀看了演出。

A woman and her baby were asked to leave the second half of a matinee performance of The Tempest at the Royal Shakespeare Company's theatre in Stratford-upon-Avon after the baby caused constant noise disruptions.

在斯特拉特福-於-艾文的皇家莎士比亞劇團劇院，一場《暴風雨》的日場演出中，一名女子及其嬰兒因嬰兒持續發出噪音造成干擾，被要求在下半場離開。

The incident happened during a popular production starring Sir Kenneth Branagh. According to witnesses, the baby began making noises, such as gurgling and cooing, during the first scene and continued throughout the first act. This noise distracted the audience, including Lord Blunkett, who emphasized that a baby was not appropriate for this specific setting. Consequently, many ticket holders expressed their dissatisfaction at the ticket desks during the break, and some even asked for refunds.

這起事件發生在由肯尼斯·布萊納爵士主演的一部熱門作品中。根據目擊者描述，嬰兒從第一幕的第一場開始就持續發出咕嚕聲和咿呀聲。這些噪音分散了觀眾的注意力，其中布倫基特勳爵強調，在這種特定環境下攜帶嬰兒是不適當的。因此，許多持票人在中場休息時在票務櫃檯表達不滿，有些人甚至要求退票。

Although the Royal Shakespeare Company allows infants to attend for free, they have a policy stating that parents of disruptive children may be asked to move. Following these rules, the mother and child were told to watch the rest of the play on television screens in the theatre's cafe. This event reflects a general decline in theatre etiquette; for example, actors like Rosamund Pike and Cynthia Erivo have recently criticized audience members for using mobile phones. While the RSC provides 'relaxed performances' for those who need a less formal environment, standard plays still require strict behavior to ensure all guests enjoy the show.

雖然皇家莎士比亞劇團允許嬰兒免費入場，但他們有一項政策規定，干擾他人的兒童家長可能會被要求移位。根據此規定，該名母親與孩子被告知前往劇院咖啡廳，透過電視螢幕觀看剩餘的演出。此事件反映了劇院禮儀的普遍下降；例如，羅莎蒙德·派克和辛西亞·艾里沃等演員最近就批評觀眾在演出中使用手機。雖然 RSC 為需要較非正式環境的人提供「放鬆演出」（relaxed performances），但標準演出仍要求嚴格的行為規範，以確保所有賓客都能享受表演。

After numerous complaints from the audience, the mother and baby were moved to a separate viewing area for the rest of the performance.

在觀眾多次投訴後，該名母親與嬰兒在剩餘的演出時間被移至獨立的觀賞區。

A patron and her infant were excluded from the second half of a matinee performance of The Tempest at the Royal Shakespeare Company's Stratford-upon-Avon theatre following persistent auditory disruptions.

在皇家莎士比亞劇團位於斯特拉特福劇院的《暴風雨》午後場演出中，一名觀眾及其嬰兒因持續發出噪音，在下半場被要求離場。

The incident occurred during a high-demand production featuring Sir Kenneth Branagh in the role of Prospero. According to witness testimony, an infant's vocalizations—characterized as gurgling and cooing—commenced during the opening scene and persisted throughout the first act. This auditory interference reportedly impeded the concentration of the audience, including former Home Secretary Lord Blunkett, who noted the incongruity of the infant's presence in such a setting. The disruption precipitated a significant institutional response, as numerous ticket holders sought refunds and expressed dissatisfaction at the ticket desks during the intermission.

此次事件發生在由 Sir Kenneth Branagh 飾演 Prospero 的熱門製作中。根據目擊者證詞，嬰兒在第一幕開場時便開始發出咕嚕聲與咿呀聲，並持續整個第一幕。據報導，這種聲音干擾了觀眾的注意力，包括前內政大臣 Lord Blunkett，他指出嬰兒出現在此類場合並不恰當。這次干擾引發了劇團的重大反應，許多票持有者在中場休息期間前往票務櫃檯要求退票並表達不滿。

Institutional protocols at the Royal Shakespeare Company permit the attendance of infants free of charge; however, the organization maintains a policy whereby guardians of disruptive children may be required to relocate to external monitors. In accordance with these terms, the mother and child were directed to view the remainder of the performance via television screens in the theatre's cafe. This event occurs within a broader context of declining theatre etiquette, as evidenced by recent public reprimands of audience members by performers such as Rosamund Pike and Cynthia Erivo for the unauthorized use of mobile devices. While the RSC offers 'chilled performances' to accommodate a more relaxed atmosphere, the standard production of The Tempest remains subject to strict behavioral expectations to preserve the collective experience of the attendees.

皇家莎士比亞劇團的制度允許嬰兒免費入場；然而，該機構維持一項政策，即吵鬧兒童的監護人可能被要求移至外部螢幕觀看。根據這些條款，該名母親與孩子被指引至劇院咖啡廳，透過電視螢幕觀看餘下的演出。此事件發生在劇院禮儀普遍下降的背景下，近期 Rosamund Pike 和 Cynthia Erivo 等演員也曾因觀眾擅自使用行動裝置而公開譴責。雖然 RSC 提供「放鬆演出」（chilled performances）以營造較輕鬆的氛圍，但《暴風雨》的標準演出仍需遵守嚴格的行為規範，以維護所有參與者的共同體驗。

The mother and infant were relocated to a secondary viewing area for the duration of the performance following widespread audience complaints.

由於大量觀眾投訴，該名母親與嬰兒在演出期間被移至次要觀看區域。