Now, watch makers care more about the face of the watch. They want beautiful colors and art.

現在的鐘錶製造商更關注腕錶的錶盤，他們追求美麗的色彩與藝術感。

In the past, a great watch had a complex machine inside. Now, the face of the watch is the most important part. Makers do not use only black or blue. They use many new colors.

過去，一支頂級腕錶在於其內部機芯的複雜程度。現在，錶盤變成了最重要的部分。製造商不再僅使用黑色或藍色，而是採用許多新色彩。

Some companies use special glass and paint. Louis Vuitton spends 250 hours on one watch. Tiffany & Co. uses 23 layers of paint to get the right color.

有些公司使用特殊的玻璃與塗料。Louis Vuitton 製作一支腕錶需花費 250 小時。Tiffany & Co. 則使用 23 層塗料來達到正確的色調。

Other companies use gold and shells. Parmigiani Fleurier hits the gold by hand. Rolex uses ten different colors for some watches. Patek Philippe uses old ways to make new art.

其他公司則使用黃金與貝殼。Parmigiani Fleurier 以手工敲擊金面。Rolex 在部分腕錶中使用了十種不同的顏色。Patek Philippe 則運用傳統工藝來創造新藝術。

The face of the watch is now the best way to show art and style.

現在的錶盤是展示藝術與風格的最佳方式。

Modern watchmaking is currently shifting its focus toward dial artistry and a wider variety of colors, rather than focusing only on complex mechanical features.

現代製錶業目前的焦點正轉向錶盤藝術以及更多樣化的色彩，而非僅僅集中於複雜的機械功能。

In the past, a 'bold' watch was usually defined by its complex movement, unusual case shape, or the use of precious gemstones. However, there has been a significant change, and the dial has now become the main area for creative expression. This trend is marked by a move away from simple colors like black, silver, and blue toward a broader range of colors and the use of advanced artistic techniques.

在過去，一只「大膽」的腕錶通常是由其複雜的機芯、不尋常的錶殼形狀或使用珍貴寶石來定義。然而，現在發生了顯著的變化，錶盤已成為創意表達的主要領域。這一趨勢標誌著從黑色、銀色和藍色等簡單色彩，轉向更廣泛的色彩選擇以及高級藝術技巧的運用。

Different brands use these techniques to achieve various goals. For example, Louis Vuitton uses 'grand feu' enamel in the Tambour Taiko Arty Automata, which takes over 250 hours of work. Similarly, Piaget uses translucent orange enamel over pink gold to create a texture that looks like reptile skin. Furthermore, Tiffany & Co. uses a twenty-three-layer process of lacquer and varnish to create a specific color that represents their brand identity.

不同的品牌利用這些技巧來達成各種目標。例如，Louis Vuitton 在 Tambour Taiko Arty Automata 中使用了「grand feu」大明火琺瑯，製作時間超過 250 小時。同樣地，Piaget 在玫瑰金上使用半透明橙色琺瑯，營造出如同爬行類皮膚般的質感。此外，Tiffany & Co. 採用了 23 層的漆塗與上光工序，以創造出代表其品牌識別的特定顏色。

Other manufacturers are focusing on tactile surfaces and the intersection of art and timekeeping. Parmigiani Fleurier uses hand-hammered gold to ensure every watch is unique, while Ressence uses urushi lacquer and mother-of-pearl to create a space-themed design. Additionally, Rolex has brought back a 1970s style with a complex ten-color process, and Patek Philippe continues to combine traditional hand-engraving with modern lacquered finishes.

其他製造商則專注於觸感表面以及藝術與計時的交匯。Parmigiani Fleurier 使用手工錘鍊金以確保每只腕錶都是獨一無二的，而 Ressence 則使用漆器與珍珠母貝來打造太空主題設計。此外，Rolex 重新引入了 1970 年代的風格，採用複雜的十色工藝，而 Patek Philippe 則繼續將傳統手工雕刻與現代漆面處理相結合。

The current trend in the industry emphasizes the dial as the most important part for artistic innovation and brand identity.

目前的行業趨勢強調錶盤是藝術創新與品牌識別最重要的部分。

Contemporary watchmaking is experiencing a shift toward the prioritization of dial artistry and chromatic complexity over traditional mechanical complications.

當代鐘錶製造正經歷一場轉型，比起傳統的機械複雜功能，更優先考慮錶盤藝術與色彩的複雜度。

Historically, the designation of a 'bold' timepiece was predicated upon the complexity of the movement, the irregularity of the case geometry, or the inclusion of precious gemstones. However, a paradigm shift has occurred wherein the dial serves as the primary locus of expression. This transition is characterized by a departure from a monochromatic palette of black, silver, and blue in favor of a broader chromatic spectrum and the integration of sophisticated artisanal techniques.

從歷史上看，定義一款時計是否「大膽」，通常取決於機芯的複雜度、錶殼幾何形狀的異常程度，或是是否鑲嵌貴價寶石。然而，現在發生了典範轉移，錶盤成為了表達設計的主要核心。這種轉變的特點在於脫離了黑色、銀色和藍色的單色調，轉而追求更寬廣的色彩光譜並整合精湛的工藝技術。

Institutional applications of these techniques vary in methodology and objective. For instance, the utilization of grand feu enamel is evident in the Louis Vuitton Tambour Taiko Arty Automata, requiring over 250 hours of labor, and the Piaget Limelight Gala, where translucent orange enamel is layered over engraved pink gold to simulate a reptilian texture. Similarly, the application of lacquer and varnish is utilized by Tiffany & Co. to achieve a specific brand-aligned hue through a twenty-three-layer process.

各品牌應用這些技術的方法與目標各異。例如，Louis Vuitton Tambour Taiko Arty Automata 顯著運用了大明火琺瑯 (grand feu enamel)，需耗時超過 250 小時；而 Piaget Limelight Gala 則在刻花的粉紅金上層疊半透明橙色琺瑯，以模擬爬行類動物的紋理。同樣地，Tiffany & Co. 透過二十三層的漆塗工藝，以實現與品牌高度一致的特定色調。

Furthermore, the integration of tactile and structural modifications is observed in the Parmigiani Fleurier Toric Petite Seconde, which employs a hand-hammered gold surface to ensure individual uniqueness. Other manufacturers have focused on the intersection of art and horology, as seen in the Ressence Type 9 Ike, which utilizes urushi lacquer and mother-of-pearl to create a cosmic representation. The Rolex Oyster Perpetual 36 demonstrates a rapprochement with historical design by reviving a 1970s Jubilee motif through a multi-step, ten-hue application process. Finally, the Patek Philippe Ref 7129-001 exemplifies the continued relevance of hand-guilloche techniques paired with modern lacquered finishes.

此外，Parmigiani Fleurier Toric Petite Seconde 在觸感與結構修改方面有所體現，採用手工錘製的金屬表面以確保每枚時計的獨特性。其他製造商則專注於藝術與鐘錶的交匯，如 Ressence Type 9 Ike 利用 Urushi 漆與珍珠母貝創造宇宙意象。Rolex Oyster Perpetual 36 透過多步驟、十色調的應用過程，復刻 1970 年代的 Jubilee 主題，展現與歷史設計的接軌。最後，Patek Philippe Ref 7129-001 證明了傳統手工古揉花 (guilloche) 技術與現代漆面結合的持續價值。

The current industry trend emphasizes the dial as a critical interface for artistic innovation and brand identity.

目前的行業趨勢強調錶盤是藝術創新與品牌認同的關鍵介面。