Abdullah Ibrahim was a famous jazz musician from South Africa. He died at age 91. He mixed African music with jazz.

Abdullah Ibrahim 是一位來自南非的著名爵士樂音樂家。他在 91 歲時去世。他將非洲音樂與爵士樂相結合。

He was born in Cape Town in 1934. He started playing music at age 15. He made a famous jazz group called the Jazz Epistles.

他於 1934 年出生在開普敦。他在 15 歲時開始玩音樂。他創立了一個著名的爵士樂組合，名為 Jazz Epistles。

He left South Africa because the government was mean to black people. He went to Europe. He met Duke Ellington and played at a big festival in 1965. In 1968, he became a Muslim and changed his name.

因為政府對黑人採取歧視政策，他離開了南非。他前往歐洲。他於 1965 年遇到 Duke Ellington 並在一個大型音樂節演出。1968 年，他成為穆斯林並更改了姓名。

He wrote a song called 'Mannenberg'. This song helped people fight for freedom in South Africa. Nelson Mandela liked his music very much.

他寫了一首名為 ''Mannenberg'' 的歌曲。這首歌幫助南非人民爭取自由。納爾遜·曼德拉非常喜歡他的音樂。

Later, he wrote music for movies. He also wrote music for big orchestras. His last songs were quiet and slow.

後來，他為電影創作音樂。他也為大型管弦樂團寫曲。他最後的作品風格寧靜且緩慢。

Abdullah Ibrahim was a great leader in South African jazz. The world knows him as a great composer.

Abdullah Ibrahim 是南非爵士樂的偉大領路人。全世界將他視為一位偉大的作曲家。

The South African jazz musician and composer Abdullah Ibrahim has died at the age of 91. He is remembered for a long career where he successfully combined African melodies with international jazz styles.

南非爵士音樂家兼作曲家 Abdullah Ibrahim 已於 91 歲去世。他以長期的職業生涯著稱，成功將非洲旋律與國際爵士風格相結合。

Born Adolph Johannes Brand in 1934 in Cape Town, Ibrahim's early music was influenced by church songs and local township dance. He started his professional career at age 15 and later formed the Jazz Epistles in 1959. This group created the first South African modern jazz recording, 'Verse 1,' which mixed New York's 'hard bop' style with traditional African elements.

Ibrahim 於 1934 年出生於開普敦，原名 Adolph Johannes Brand。他早年的音樂受到教會歌曲與當地城鎮舞蹈（township dance）的影響。他在 15 歲時開始專業音樂生涯，隨後於 1959 年組建了 Jazz Epistles。該團體創作了南非首個現代爵士樂錄音 $ ext{''Verse 1''}$，將紐約的 $ ext{''hard bop''}$ 風格與傳統非洲元素融合。

During the 1960s, Ibrahim moved to Europe to seek asylum because of the increasing oppression under the apartheid regime. While in Zurich, he developed a professional relationship with Duke Ellington, who helped him record for the Reprise label and perform at the 1965 Newport Jazz Festival. In 1968, he converted to Islam and changed his name to Abdullah Ibrahim, a change that also reflected a more spiritual direction in his music.

在 1960 年代，由於種族隔離制度下的壓迫日益增加，Ibrahim 移居歐洲尋求庇護。在蘇黎世期間，他與 Duke Ellington 建立了專業合作關係，後者協助他在 Reprise 廠牌錄音，並於 1965 年在 Newport 爵士音樂節演出。1968 年，他改信伊斯蘭教並更名為 Abdullah Ibrahim，這一改變也反映出其音樂走向更深層的靈性方向。

Ibrahim's work was often connected to political struggle. His 1974 song 'Mannenberg' became an unofficial anthem for the anti-apartheid movement and was reportedly listened to by Nelson Mandela in prison. Furthermore, after the 1976 Soweto uprising, Ibrahim officially supported the African National Congress and left South Africa. In his later years, he collaborated with avant-garde artists and wrote music for films, moving from the high energy of his youth toward a more thoughtful and quiet style.

Ibrahim 的作品經常與政治鬥爭聯繫在一起。他 1974 年的歌曲 $ ext{''Mannenberg''}$ 成為了反種族隔離運動的非正式頌歌，據報導 Nelson Mandela 在獄中也聆聽此曲。此外，在 1976 年索維多起義後，Ibrahim 正式支持非洲國民會議並離開南非。在他晚年，他與前衛藝術家合作並為電影創作音樂，從年輕時的高能量轉向一種更深思且寧靜的風格。

Abdullah Ibrahim leaves behind a legacy as a key creator of South African jazz, evolving from a refugee artist into a world-famous composer.

Abdullah Ibrahim 留下了一份遺產，作為南非爵士樂的關鍵創作者，他從一名難民藝術家演變為世界著名的作曲家。

The South African jazz musician and composer Abdullah Ibrahim has died at the age of 91, concluding a career characterized by the integration of African melodic structures with international jazz idioms.

南非爵士樂音樂家兼作曲家 Abdullah Ibrahim 已於 91 歲去世，其職業生涯的特色在於將非洲的旋律結構與國際爵士樂風格相結合。

Born Adolph Johannes Brand in 1934 in Cape Town, the subject's early musical development was influenced by ecclesiastical music and township dance. His professional trajectory commenced at age 15, subsequently leading to the 1959 formation of the Jazz Epistles. This ensemble produced the first South African modern jazz recording, 'Verse 1,' which synthesized New York hard bop with indigenous stylistic elements.

他於 1934 年出生於開普敦，原名 Adolph Johannes Brand，早期的音樂發展受到教會音樂與鄉鎮舞蹈的影響。他在 15 歲時開始其專業旅程，隨後於 1959 年成立了 Jazz Epistles。該組合製作了南非第一張現代爵士樂錄音《Verse 1》，將紐約的 hard bop 與本土風格元素相融合。

Due to the escalation of state-sponsored repression under the apartheid regime during the 1960s, Ibrahim sought asylum in Europe. In Zurich, he established a professional rapport with Duke Ellington, whose patronage facilitated recordings for the Reprise label and an appearance at the 1965 Newport Jazz Festival. A formal conversion to Islam in 1968 necessitated a name change from Dollar Brand to Abdullah Ibrahim, a transition that coincided with a spiritual and compositional shift, exemplified by the work 'Hajj.'

由於 1960 年代種族隔離政權下國家支持的鎮壓加劇，Ibrahim 在歐洲尋求庇護。在蘇黎世，他與 Duke Ellington 建立了專業關係，後者的支持使其能為 Reprise 廠牌錄音，並在 1965 年的紐波特爵士音樂節（Newport Jazz Festival）演出。1968 年正式改信伊斯蘭教後，他將名字從 Dollar Brand 改為 Abdullah Ibrahim，這一轉變與其精神及作曲風格的轉向同步，作品《Hajj》即是明證。

Ibrahim's output frequently intersected with political resistance. The 1974 composition 'Mannenberg,' referencing a forced relocation township, functioned as a non-official anthem for the anti-apartheid movement and was reportedly utilized by Nelson Mandela during his incarceration. Following the 1976 Soweto uprising, Ibrahim formally declared support for the African National Congress and relocated from South Africa.

Ibrahim 的作品經常與政治反抗交織。1974 年創作的《Mannenberg》提及一個被強迫遷徙的鄉鎮，成為了反種族隔離運動的非正式頌歌，據報導納爾遜·曼德拉在監禁期間也使用此曲。在 1976 年索維托起義後，Ibrahim 正式宣布支持非洲國民大會並移居南非境外。

Throughout the 1970s and 1980s, Ibrahim expanded his sonic palette through collaborations with avant-garde figures such as Don Cherry and the formation of the Ekaya septet. His later period was marked by a transition toward orchestral arrangements and film scoring for directors such as Claire Denis. His final recordings, including the 2020 suite 'Solotude,' demonstrated a shift from the high-energy improvisations of his youth toward a more ruminative and introspective modality.

在 1970 及 80 年代，Ibrahim 透過與 Don Cherry 等前衛人物合作以及成立 Ekaya 七重奏，擴展了他的音色版圖。他的後期作品轉向管弦樂編曲以及為 Claire Denis 等導演創作電影配樂。他最後的錄音，包括 2020 年的組曲《Solotude》，展現了從年輕時高能量的即興演奏向更為沉思與內省模式的轉變。

Abdullah Ibrahim leaves a legacy as a primary architect of South African jazz, having transitioned from a refugee artist to a globally recognized composer.

Abdullah Ibrahim 留下了作為南非爵士樂主要奠基者的遺產，完成了從一名難民藝術家到全球認可作曲家的轉變。